For every time that I missed home in the beginning of our dialogue I’m now wishing I had more time here. I cannot believe I will have to say goodbye to Athens in seven short days. And that realization elevates the urgency of the work I have to do this week as I finish my stories. It is even more critical that I remain focused.
Throughout the trip, I have been trying to stay mindful of why I came here. Yes to see Greece, yes to get experience reporting in a foreign country but also to push myself out of my comfort zone. My goal was take in and understand a place very different (in many, many ways) than where I am from and to share what I learned.
Ellie and I grabbed lunch the other day at one of our favorite new spots for a quick, delicious bite: Etnico. If you’re looking for good atmosphere and variety (Mexican, Indian, Arabian) this is the place.
We had a long conversation about what it means to us to be reporters covering a country in crisis. Of course, the things we all have experienced here have shaped our ideas on how to do that.
If this trip has taught me anything, it is that there are people who want their stories to be told. It is important work to record people’s lives and experiences and it is equally important to acknowledge their space and what they have been through after they let us in. And regardless of what medium we choose to tell it through – photography, video, print – we owe it to them, and to everyone, to tell the truth and to tell it with respect. It is not always easy, but that is our job as journalists.
It was this conversation with Ellie that kept popping back into my mind as we listened to our guest speaker today, Dimitrios Bouras. Bouras is a war photographer who has covered conflict and the effects of war for many years. And the way that he approaches his work resonated with me. He places himself wherever he is shooting, not just physically but mentally and emotionally, as well. And that is what shines through in his photographs. His subjects are people first, not just numbers, not just nameless faces.
“There is power in this piece of metal in my hand,” he said, talking about the point in his life when he decided to commit to this line of work. And it couldn’t be more true. A single photograph has the power to shape public opinion and to spur incredible, impactful action.
“Our job is simple. We have to carry the message,” Bouras said. This is how I view the work we have done on this dialogue. We are carrying the message of what we have seen here and sending it to our audience at home.
At the risk of repeating myself, it is not easy work but it is important work. We are no experts. We are students. But we came here to put ourselves out there and to learn what it takes to report on stories that matter. And if we can do that while staying true to our inner moral compass then there is infinite value in that. There is value in it for us to develop as storytellers and there is value in it for those who wish to be heard.
There are projects I have been a part of on this dialogue that I did not imagine myself working on. And it’s made me a better journalist, a better human and even more motivated to give a voice to people who could not share their story in the same way on their own. And it doesn’t matter if 100 people see it or 100,000. If it affects one person, starts one discussion, than it is worth it. I am forever grateful for the opportunity to contribute that.